| * kirtan * classical indian music * classical indian dance * fusion dance * dance workshops |
Call and response chanting of sacred mantras. In kirtan there is no audience and performer, just one unified group. Kirtan relies on simple, easily duplicated tunes or 'dhuns' with the intention on the mantra. Based on the Gaudiya Vaishnav traidion of:
"Hari nama, hari nama, hari nama eva kevalam.
Kalu naste eva, naste eva, naste eva, gateh anyatah"
"Chant the holy name! Chant the holy name! Chant the holy name!
In this age of Kali, there is no other way, no other way, no other way to achieve liberation."
Sri leads on vocal and harmonium and is accompanied by tabla or mrdanga and various instrumentation depending on venue/event.
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Different from kirtan and less familiar to western (in particular, yoga) audiences, classical Indian music is to be enjoyed rather than participated in by the audience. Each piece begins slow with alaap or vocal improvisation within the context of the particular raag and then moves on to the piece itself. This sophisticated style is perfect for parties or events where the music may or may not need be the focal point of attention. It is a beautiful opportunity for the listener to become comfortable and simply relax and enjoy.
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Sri's primary classical Indian dance discipline is Mohini Attam from the south-western corner state of Kerala. Translated as 'dance of the enchantress,' Mohini Attam replicates the swaying of the palm trees native to this beach state and is softer than some of its sister disciplines. She is a disciple of the very accomplished Radha Carmen. Sri is also a student of Odissi under the tutelage of the great Nandita Behera and Kathak with the enchanting Prachi Dixit.
These classical disciplines feature beautiful dances in honor of Sri Ganesh, Siva, Durga, Krishna & Radha with mudras, facial and body movements telling ancient stories from the Puranas (scriptures).
If interested in booking classical Indian dance - please click here
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| classical indian/modern progressive dance |
Sri is a director of Taal Dance company famous for choreography based on a synthesis of various forms of classical Indian dance. Drawing from Mohini Attam, Odissi, Bharat Natyam, western modern and classical ballet, she pushes the parameters of dance while protecting its chastity and story-telling elements.
The music is a selection from devotional to south Asian progressive, to the occasional rock depending on the specific events needs.
Performing solo or as part of a troupe at Indian Film Festival Los Angeles; Japanese American Museum; Getty; 'Incredible India' campaign for Indian Tourist Bureau; private events for Ron Howard, Brian Grazier, George Lucas, Rene Zelleweger, Penny Marshall; HBO Emmy Awards.
For a full press pack or for booking - please click here
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| dance workshops... classical indian or fusion |
An introduction to classical Indian dance suitable for the inquisitive beginner. The perfect accompaniment for any yoga or spa retreat, a complimentary artform that adds value, meaning and feminine depth. Learn how to 'tell' the story of different Gods and Godesses, and walk away knowing a simple yet complete dance. May also be booked privately for groups. A 'fusion' version is also available based on the same techniques Sri brings to her choreography in Taal Dance Co.
If interested in booking or registering personal interest in upcoming dance workshops - please contact here
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